Welcome to the Razorhouse
"Scolds Bridle" Out NOW (digital & CD)
Vinyl LP to follow April/May 2023
“Are your thoughts your own,
when all you love is on trial?”
- Mark Panick from Scolds Bridle
The Isolation that no one asked for.
As the reality descended everyone started to see how the solitude appealed to some while a completely destructive force to others. For the members of Razorhouse it was a little of both.
Mark Panick, “The bones of three of these songs on the record were cast just prior to the world shutting down. In the resulting halt, we decided they were to be stored in their respective ossuaries. Then, as the band slid into 2022 trying to hold their wigs on, we retrieved those bones and sung flesh to the lattice.”
The rest of the record rose out of this heavily solitude seasoned organic stew. Mark Panick’s lyrics sculpted his frustrations with the human condition and the arrangements gave color and shape to the indignities and anxieties they were all living with.
The act of creating in their bubbles of solitude in all this quiet was a new experience for the band members, so many new approaches were employed.
David Suycott took to tracking his drum parts on pads in his apartment. The other respective players began tracking parts in their home setups as well. The band realized it was the limited distractions and a lot of anxious passion that built “Scolds Bridle”.
“Its GOOD!….buts its no Doja Cat”
- Hunt Sales - Iggy Pop, Tin Machine, Hunt Sales Memorial
"Years ago I read an anecdote about Alfred Hitchcock (63 at the time) and his penultimate film Frenzy, At the end of a pre-release screening, a lifelong friend of the legendary filmmaker, said “Hitch, it looks like the work of a gifted, young filmmaker.” That’s how I feel about the music of Mark Panick. Every track on the new album sounds beyond contemporary, as if created by a gifted, young singer-songwriter. It’s hard for any artist to remain cutting-edge forty years into their career, but Panick pulls it off with the exuberance of a twenty-year old. The results are nothing less than astonishing.”
- Stephen Sayadian aka Rinse Dream,
Director/Writer - Cafe Flesh, Dr Calgari
“It is an authentic pleasure to listen to deeply informed musicians who seem to effortlessly craft a sonic landscape both enticing and dreamy. The cutting lyrics resonate with the current weltgeist and are delivered like warm butter on fresh bread."
- Joe Michelli - VJ Medusas
“Razorhouse...Front-man Mark Panick pens songs that mix the beautiful with the darkly disturbing, approximating a sound that ranges from gothic—think Nick Cave or Tom Waits gothic to bent chamber-pop to country murder ballads.”
- Chicagoist
"This album is named after an iron muzzle used to punish and humiliate "difficult women", starting in the 1500's. The songs themselves are heroic, hopeful, and psychedelic, leaving more questions than answers. With big beats and sprawling guitars. And led by Mark's very tough but tender vocals. Lots of ear candy and food for thought. Dig."
Michael Blair- Tom Waits, Lou Reed, Elvis Costello
LIVE APPEARANCES
Razorhouse will be performing July 17th at Lizards Liquid Lounge, Chicago IL
VIDEO
On Underwear Factory Toy Records
MUSIC
WORDS
All lyrics by Mark Panick except "Nevermind" by Leonard Cohen
Life tears (the strange)
Life tears the strange
from tendon and bone
barely alive
I am the bastard
In the corner of the room
Whither and moan
Doesn’t make any difference
When you’re alone
Life is some shitty business
nothing remains
of your will
or the memory
of your name
Whether you know
Its not the real burden
Left to your own
Poison thru out the system
your skin is on fire
Let it burn
to guide us to new lands
Whither and moan
breathings a risky business
tear at your bones
this year there is no Christmas
Forfeit the loan
Burn down the family
Business
out on your own
life is some shitty business
Morrows day
Tell your lover they’re the one
love until the culling done
tell the sisters of the gun
we can’t protect them anymore
this is your morrows day
and it doesn’t really matter
And the world sees beauty through the barrel of a gun
in the maw in the maw in the catty of the maw
you don’t own the morrow in the heaven of the pause
Tell your lover they’re the one
love until the culling done
tell the sisters of the gun
we can’t protect them anymore
this is your morrows day
and it doesn’t really matter
catty in the culley in the all night long
Erase your face
Avoid all transactions
in the marketplace
gimme all your money
we’ll wipe every trace
though it sounds appealing
In the obvious ways
You need something solid
to be disengaged
Desperation goin down
you can smell it like cologne
all over town
desperation goin down
goin down
Isolation going down
and its tagged on the walls
of the subways uptown
Isolation goin down
goin down
Cancel all subscriptions
and leave no trace
give us all your money
we’ll erase your face
though it sounds appealing
In the obvious ways
You need something solid
to be disengaged
Disconnection goin down
in the fear that we know
when were living underground
disconnection going down
goin down
Desperation going down
its written in the eyes
that wander this town
desperation goin down
Avoid all transactions
with the human race
and you’ll be much safer
in a quiet place
as you cut your losses
and you make your way
Its a fine distinction
that we cut this way
Desperation goin down
and its tagged on the walls
of the subways downtown
Desperation goin down
goin down
Isolation goin down
in the fear that we know
when were living underground
isolation going down
goin down
Desperation goin down
you can smell it like cologne
all over town
desperation goin down
goin down
Disconnection goin down
in the fear that we know
when were living underground
disconnection going down
goin down
Scolds bridle
Cauterize the bone, leave it on the fire
tell her your not home, tell her your a liar
And you won’t be at the after party
And you won’t be, in the car
All the wrong in the world I see
All the wrong that I own
Dedicate and own possession of the fire
are your thoughts your own
when all you loves on trial
And you won’t be in the commissary
And you won’t be…at all
When your lost dreams
seem secondary
as your breath stalls …in the dawn
in the dizzy parabolic
of this carnival of pain
in distracted affectation
she invokes
your Christian name
in the brining of your senses
and your broken skin attire
we are reaching our conclusions
we are reaching thru the fire
we are dancing on a wire
we are calling out the gods
we wanna see
we wanna feel
we wanna be real
disconnect the phone, tear at all your wires
go outside alone in search of your desires
And you can’t be
where they’d rather have you
And you won’t go
unknown
how the world seems
so ordinary
how the world seems
unkind
in the eyes of the forgotten
in the cues of guilt and hope
we will bind your broken bones
and lash your heart with sailors rope
In the war to define meaning
an the conscript misanthropes
these boundaries that contain us
and the fear of letting go
how we destroy
the things we love
in all our best intentions
no instructions from above
we wanna see
we wanna feel
we wanna be real
The good loser
I’m gettin too good at losing
I’m gettin too slow on the draw
maybe its time for choosing
tween what really matters
what don’t at all
what side of the line, will you be on
what side of the line, do you care
maybe losing your mind, the long way
maybe losing it all, was the door
Its not like I planned to be here
its not like I planned at all
life has its way with the weather
whether you believe
or not at all
what side of the line, will you be on
what side of the line, do you care
make up your mind, in your own time
on what we do or do not share
Feels like a time to remember
seems like a time to recall
how in the hell did we get here
how far down the well, do we fall
what side of the line, will you be on
what side of the line, do you care
maybe losing your mind, was a blessing
maybe losing it all, was unfair
My Other War
Excavations of a world we call our own
in desperate
negotiation to keep
the knife off of the bone
I’m tired of stupid
I’m tired of lies
Its lost all meaning
We are not really alive
Lift your head and brace your shoulders
a world of brutes wants only soldiers
leave the hive without your tribe
and the world eats you alive
You call it research
I call it lies
you twist the meaning
to fit your compromise
We’re tired of stupid
We’re tired of lies
Its lost all meaning
we are not really alive
Revelations in the
dreams we walk alone
In measured
calculations to kill
the darkness in our souls
I’m tired of petty
these seeds
we’ve sown
I’m tired of tired
In fear of dying
all alone
Floatin down the river
Floatin down the river in my dead mans shoes
Dodgin all the debris screaming from the pews
hopin for a miracle but really needing two
hold on little darlin we got one more left to lose
Everything is changing not everything is new
landscapes re-arrangin traditions come unglued
Momma has her medicine and Daddy has the blues
All we took with us is our hog tied views
Flail’in down the river with the madhouse blues
cursing at the system, its cruelty and abuse
hopin that the oars don’t break and hoping for some news
pinin for a warm spot where I can dry my shoes
Hopin that the shit don’t rise and hoping for some clues
lookin for some landfall where I can park my blues
give us back our barbesol and give us back our shoes
now the rivers rising and there’s reckoning to do
Drowning in a river of our own refuse
graspin for intentions really ain’t no use
someone throw a line before it ain’t no good
I’m going down again I’m on my last breath too
There needs to be a reckoning there needs to be a truth
something to hold onto and something to abuse
ain’t no tears like yester tears its time to bust it loose
come on pretty momma its time for us to choose
Bobbin down the river with the cowboy blues
water logged and sinkin in my dead man shoes
thinkin that I’d run my luck and thinkin that I’m done
Father son and holy ghost the stalinists have won
There needs to be a reckoning there needs to be a truth
something to hold onto and something to abuse
give us back our barbasol and give us back our shoes
now the rivers rising and there’s reckoning to do
Nevermind
(Leonard Cohen/Pat Leonard)
The war was lost, the treaty signed
I was not caught, I crossed the line
I was not caught, though many tried
I live among you, well disguised
I had to leave, my life behind
I dug some graves, you’ll never find
The stories told with facts and lies
I had a name, but never mind
Nevermind Nevermind
The war was lost, the treaty signed
Theres truth that lives and truth that dies
I don’t know which so never mind
You’re victory was so complete
that some among
thought to keep
A record of our little lives
the clothes we wore our spoons our knives
the games of luck our soldiers played
the stones we cut, the songs we made
Our law of peace which understands
A husband leads, a wife commands
And all of this expressions of,
the sweet indifference
some call love
the high indifference some call fate
but we had names more intimate
Names so deep and names so true
the blood to me their dust to you
there is not need that this survive
Theres truth that lives and truth that dies
Nevermind Nevermind
I live the life I left behind
Theres truth that lives and truth that dies
I don’t know which, so never mind
I could not kill, the way you kill
I could not hate, I tried I failed
You turned me in, at least you tried
you side with them, whom you despise
This was your heart, this swarm of flies
This once was your mouth this bowl of lies
You serve them well, I’m not surprised
you’re of their kin, you’re of their kind
Nevermind Nevermind
I had to leave my life behind
The stories told with facts and lies
you own the world
so never mind
Nevermind Nevermind
I live the life I left behind
I live it full I live it wide
thru layers of time
you can’t divide
My woman here my children too
their graves are safe, from ghosts like you
in places deep with roots entwined
I live the life I left behind
The war was lost the treaty signed
I was not caught, I crossed the line
I was not caught though many tried
I live among you well disguised
GAME BOARD & RULES
The gatefold art on the vinyl LP (out April/May and available for pre-order March 20th, 2023) features a board game designed by Panick & Blair Gauntt which draws on Razorhouse’s association with the Mayan Popol Vuh and incorporates touchstones of the band’s artistic history.
​
​ENTER THE RAZORHOUSE
This is more a journey than a game. Take this pilgrimage to acquire experience and knowledge. All you collect along the way is that which you carry inside, that of real value not a suggested or perceived cultural value.
​
Do not take this journey with anyone with whom you have conflict. Issues must be resolved before entry. Do not ignore the Xilbalbans rules and whims. The penalties for such cannot be imagined in the human world.
Xilbalban EDICTS
Both players use one die and can choose their avatar for the game board.
You move segment to segment performing rituals. You roll die as instructed.
You can move between houses (only moving left to right or east to west) per the Xilbalbans instructions.
As you enter each “song house” you must recite the first 3 words in the lyric of the song associated with that house.
​
And as you exit each “song house”, if you wish to retain your skin and organs, you must recite the last 3 words of the lyric associated with that “song house”.
1
Step One
THE TWINNING
You and your partner perform the twinning ceremony to enter; it must be performed exactly per the Xilbalbans instructions or you will not retain the sacred knowledge held inside.
You must first write down on a piece of paper your last sin of excess or self betrayal, fold it up and place it in your twin’s mouth as they do the same to you. Then laying down upon the earth, side by side, twine your fingers with the hands that lay between you, looking at the Moon or Sun you both beseech the first Grandmother Xmucane to bind your souls for all eternity (Grandmother is kind and will heed your request and twin you together). This ceremony cannot be reversed.
You and your twin enter the 5th house the Razorhouse.
2
Step Two
You and your twin lay a burning ember (a match) on a piece of ham (in a sink or metal tub please) to symbolize the burning pig heads of Razorhouse, and say,
“Let us dance for the
Xilbalbans, let us sacrifice ourselves!”
The aged merchant god of the underworld spoke, “Don’t be afraid. Don’t be ashamed. Just dance this way: first you’ll dance to sacrifice yourselves, you’ll set fire to my house after that, you’ll act out all the things you know. We want to be entertained. This is our heart’s desire, the reason you had to be sent for, dear vagabonds. We’ll give you payment”.
​
You and your twin collect seven bone skins and can move on.
3
Step Three
You and your twin follow One and Seven Hunahpu into Dark House. A torch was brought along with seeing smoke, and the bearer said, “My lord gives you these, but they must be returned unused in the morning”. One and Seven Hunahpu are angry and without hope. You huddle in the corner until your torch goes out.
Tip
It would be wise to hold your complaints should the Xilbalbans be listening.
In the morning you and your twin roll the die once each to arrive at a seven or pay the torch bearer 2 bone skins to be shown the way. You and your twin can move on.
4
Step Four
​
As you and your twin enter; you are compelled by the ravens to sing.
And here began their song named “Camacu” they sang out the lament of their very hearts and guts.
“Alas!
We were lost at Tulan!
We shattered ourselves!
We left our elder brothers behind!
Our younger brothers!
Where did they see the sun?
Where must they be staying?
now that the dawn has come?”
You and your twin must sing the lament before proceeding,
You and your twin can move on.
5
Step Five
Access to Song House
erase your face
You and you twin enter. Recite first 3 words of lyric of song to enter. One and Seven Death want to wear your face, if you leave without your face you will never be recognized not even by owls. This is the making of the oven, the great stone oven The Xilbalbans made it in the image of the places where the sweet drink is cooked. The messenger of One and Seven Death arrive and deliver this message:
“Give your faces to our Lords. You do not use them properly, you abuse and ignore the great truths! You wallow in empty thoughts. Give my lords your faces and stay in Xilbalba as unknown and undisturbed. For you will not be recognized through the entire river of time.”
Tip
it would be wise to prostrate yourself before the messenger and modestly decline. You and your twin must then recite the last 3 words from the lyric from Erase your face. You and your twin can move on.
6
Step Six
You and your twin enter. You are lost in the wastelands; you wander in search of comfort and familiarity.
Wailing Woman beseeches you and your twin to bring her to the other side while Lust Woman attempts to lure you into a lurid sexual dance of the wastelands. To escape you must remove the trash inside the cave of waste (your bathroom); only order and cleanliness shall dissuade the Xilbalbans. You and your twin can move on.
7
Step Seven
You and you twin enter the Cave of Bats. Upon entry the bats could not leave and they were starved. The bats attempt to draw blood for their sustenance.
Tip: cover your necks with your tunics. Nine Deer enters and tells of the coming of Lord Scab Stripper and Lord Blood Gatherer and their intentions to drain your blood. You or your twin must roll a 7 before they arrive. You and your twin can move on.
8
Step Eight
You and you twin enter into the pitch black. Upon entry you and your twin are beaten with sharp fronds. Somewhere and everywhere in the room you and your twin can hear Lust Woman laughing, she is taking her revenge, for you did not respond to her advances. You and your twin must both roll 3’s before you are too injured to leave. You and your twin can move on.
9
Step Nine
You and your twin enter Dark Night of the Soul. Though you have travelled far, your past loves and wrongs attend a banquet. Your actions and reactions during the banquet shall determine if you may leave. The Lord Demon of Woe has slipped into your head domain and you must find the path to quiet the thoughts. Through meditation you and your twin can free yourselves from the continuous nightmare trail that Lord Demon of Woe drips from his war axe.
You and your twin can move on.
​10
Step Ten
You and your twin enter. This is your chance for giving up, remove your deadman’s shoes, jump into the river to start the game over. You are overwhelmed and wish to regress back to the start in hopes the wheel is more benevolent. Exhaustion and mental fatigue can be your worst enemy; recognize when you need to care for your flesh and mind. You can seek spiritual knowledge from the old Grandfather the sack bearer by rolling a 5 from your first try and you will be transported directly to Song house - Life Tears the strange, here you and your twin must recite the first 3 words of the song Life Tears (the strange) and upon completing that the 1st Grandfather the sack bearer will teach you and your twin the ways to navigate humanity and remain true to who you are. Afterwards you must recite the last 3 words of the song only then can you and your twin can move on.
​11
Step Eleven
You and your twin have been conjured back to life by Blood magician McGuinness. At times a random conversation may open a door you did not see. Speak honestly and passionately to draw shaman, witches, those holy, and blood magicians to your journey. Even if they do not share their magic their company is worth the effort.
Sing of the beauty of connecting flowers, cut wreaths for the Xilbalbans, praise their mockery of death. Leave this room with a better understanding of positive chains of power. You and your twin can move on.
12
Step Twelve
You and your twin enter. Recite first 3 words of lyric of song to enter. Then pour a small amount of water into a shoe and wait for it to dry while making a list of things for which to forgive yourself.
After making the list of at least 3 things and reciting the leaving lyric you and your twin can move on.
13
Step Thirteen
Song House:
Codex Jun
You and your twin enter. Nothing is as it appears; 3 dimensions are moving but not in unison, you desperately hold onto one and wait for moments to cross into others. You must each recite first 3 words of lyric of the first song.
You and your twin find yourself standing before The Daykeeper the Grandmother Xmucane as they set out the days. “Just let it be found, just let it be discovered, say it, our ears are listening, may you talk, may you speak, just find the wood for the carving and sculpting by the builder. Is this to be the provider, the nurturer when it comes to the planting and the dawning? You corn kernels, you coral seeds, you days, you lots: may you succeed, may you be accurate.” You and your twin must read this out loud and chant “ALL honor the Daykeeper, the Grandmother Xmucane!” You and your twin must then recite the last 3 words from the lyric from the last song.
You and your twin can move on.
14
Step Fourteen
You and your twin enter. Recite first 3 words of lyric of each song to enter either house. The root of fiery splendor was implanted at the citadel at The Bearded Place. The penance done for the gods increased here, striking terror again, and all the tribe were terrified, small tribes and great tribes. They witnessed captives arrive to be killed for the splendor and majesty of Lord Noble Sweatbath and Lord Itzayul along with the great houses and the Lord Quiches. You and your twin must sacrifice something close to you to move on; tear a hole in some piece of clothing and let go of a judgement you carry against another. You and your twin must then recite the last 3 words from the lyric from the last song.
You and your twin can move on.
15
Step Fifteen
You and your twin enter. You must each recite first 3 words of lyric of the first song. For now you have arrived at the citadel of Rotten Cane as the name is spoken by the Lord Quiches. The Lords Noble Sweathbath and Plumed Serpent came down among the Xilbalbans, together with all the other lords. There have been five changes and five generations of people since the origin of light, the origin of continuity, the origin of life and of humankind. Continuity’s importance on you and your twin’s journey cannot be overstated. They built many houses there for the gods.
You and your twin must build something for someone else in need, it could be a bowl of cereal for a young lord or as elaborate as a treehouse. Then reciting the last 3 words of the last song from Codex Du you and your twin can move on
16
Step Sixteen
Song house:
Codex Tres Lingua
You and your twin enter “the bundle of flames”. Such was the death of all four of our first Grandfathers and fathers. You must each recite first 3 words of lyric of the first song. When they disappeared their sons remained on the mountain of Hacauitz. All those on Hacauitz gathered on each day and that was for the remembrance of their fathers. For them, the day of the bundle was a great one. They could not unwrap it; for them it stayed bundled, they called it “The bundle of flames”. It was given this epithet, this name, when it was left in their keeping by the fathers who made it so, as a sign of their being.
You and your twin must make a sign of your being, bundle something of inspirational fire and hide it for your sons or daughters to find later. Now reciting the last 3 words of the last song off of Codex Tres Lingua you so your twin can move on.
17
Step Seventeen
Song house:
Winters teeth & Meatwalker
You and your twin enter Winters teeth. You must each recite first 3 words of lyric of the first song. Both you and your twin must cleanse your remaining teeth so as not to despoil the reading.
Out loud you must both speak the names of the Lords of the Greathouses;
Lord Face Stealer
Minister of blood rivers (responsible for ecology)
Lord Aulem (loser of the Citadel battle at the Lord Quiches)
Mother of conflict (the masked one, the wearer of bridles)
Lord Nine Death
Lord Minister of Serpents (whom slept in a serpent ball)
Lay prostrate on the floor before the Lords, then you and your twin may rise to recite the last 3 words of lyric on the last song Meatwalker. You and your twin can move on.
18
Step Eighteen
You and your twin enter the Great House of Lord Monk Tweedley, Lord of minor demons and lord of the swollen head, Lord of where the woodbine twineth. A chaste lord, his modesty was foremost in his daily practices.
You and your twin as to not insult Lord Monk Tweedley must exchange clothing with each other to represent the understanding of another plight. But you can only exchange clothing in a blackened room, no torch light must be present. The dark represents the purity of not knowing. After the exchange you and your twin can move on.
19
Step Nineteen
Song house:
Hobo Stomp
You and your twin enter a vagabond encampment, this is the domain of Lord Corntassel keeper of nettles. You and your twin must recite the first 3 words of Hobo Stomp to enter. To travel through you must travel as the vagabonds in the encampment. You and your twin must put nettles (suggested alternative to nettles-crunched up paper) under your tunics as you traverse the vagabond encampment. as you show pity for the vagabonds and their sufferings by sharing their plight. You and your twin can move on after reciting the last 3 words of the Hobo Stomp song
20
Step Twenty
Song housE:
Morrows day &
Dawn of the slippery
You and your twin enter. You both must recite the first 3 words of the lyric of Morrows day song to enter Song House Morro. Inside, you once again encounter Xmucane Grandmother of One Monkey and One Artisan.
One Monkey demands you entertain his brother by creating a song about your journey through the houses thus far. Then you must sing it directly to One Artisan his brother.
Upon completion, you and your twin must recite the last 3 words to the lyric in Morrows Day song to move to the Great House next door.
As you enter Song House Slippery, you and your twin must recite the first 3 words of Dawn of the Slippery. You and your twin will then enter the lair of the Snatch Bats. These are not earthly bats, they are bats of Xilbalba. They are an animal that eats the moon, they covet human possessions as entertainments. [Tip: You would be wise to give them the bone skins you acquired earlier.] Before departing Song House Slippery you and your twin must recite the last 3 words of the song Dawn of the slippery. You and your twin can descend back to the ascension stone entry. You and your twin can move on after reciting the last 3 words of the Dawn of the slippery. You and your twin can move on.
21
Step Twenty-One
You and your twin enter a vast mesa. In the distance you see Hunahpu and Xbalanque sweeping out the court of their fathers. As the Lords of Xilbalba heard, you hear their thoughts as loud and terrifying voices. “Who’s begun a game up there, over our heads? Where is their shame? Stomping around this way? Didn’t One and Seven Hunahpu die trying to magnify themselves in front of us? All are hereby summoned. You must refrain from speech in the face of the Xilbalbans.”
One and Seven Death enter and point at you and your mute twin and Hunahpu and Xbalanque. They announce “We will play a game and see what mettle the rude ones have.” Since you are mere humans and have few ball playing skills you lose badly to the Xilbalbans. Tamazul the toad boy enters and bids you and your twin to follow. “I have your fate in my belly as an answer.” You must roll your dies to either proceed across the ladder and miss the grand house just beyond or proceed on into the house and acquire the benevolence and blessings of Noble Lord Sweatbath. 1 to 5 on a roll moves you through further and you cross the ladder. You and your twin can move on to whatever fate awaits you.
22
Step Twenty-Two
Song house:
Scolds Bridle
You and your twin enter. You both must recite the first 3 words of the lyric of the first song.Upon entry you and your twin must sit facing each other placing your left hand on your twin’s shoulder. After reciting the 8 sacred song titles of the Scolds Bridle, each must speak from the heart as to the meaning you hold in each other’s friendship. This connection is your protection, it cements your sheathing; without it you will end up beaten and wounded more than would be expected. You and your twin can move on; you have been enlightened and now carry knowledge not accessible to most earthly beings. You and your twin can move on after reciting the last 3 words of the the last song. You and your twin can move on to whatever fate awaits you.
23
Step Twenty-Three
You and your twin enter. Preparing for egress, you and your twin must speak to the chat sank ch’eken (the leaf cutter ants) and pay homage to The Grandmother of days and Old One Death the Lord of all Xilbalbans. A wreath of flowers and fragrance must be left behind to mask your human smell and to honor all Lords of Xilbalba. After such glorious presentation, you and your twin can move on.
24
Step Twenty-Four
The final step
Upon entering the serpents tail you and your twin must reflect on your pilgrimage and document testimony of your personal revelations.
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